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Rotary Engine Cooling Fins for World War I Paper Model Aircraft - Part II
Rotary Engine Cooling Fins for World War I Paper Model Aircraft - Part II
A Paper Model Technique Tutorial By Gil Russell Review Contributions by Leif Ohlsson Forming the Cooling Fins The process of forming the cooling fins is similar to forming clay on a potter’s wheel. Start by filling the edge of the comb forming tool with paste. Apply the paste to the rotating cylinder spreading it out to cover the areas of the cylinder with cooling fins (see Figure 9). Figure 9 Applying the Paste to the Cylinder Figure 10 Forming the Cooling Fin Ridges Figure 11 Completed Paste Cylinder Ridges Figure 12 Removing Bottom Ridges from the Cylinder Barrel Figure 13 PVA Bead on Forming Tool Figure 14 Forming PVA Ridges Last edited by Gil; 02-09-2009 at 01:37 AM. |
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Rotary Engine Cooling Fins for World War I Paper Model Aircraft - Part III
Rotary Engine Cooling Fins for World War I Paper Model Aircraft - Part III
A Paper Model Technique Tutorial By Gil Russell Review Contributions by Leif Ohlsson Forming the Final Cooling Fin Layer The next step applies Aleene’s Tacky Glue as the last layer in the buildup process. It produces a very smooth final surface detail necessary for the cooling ring effect to work. Apply a bead of Aleene’s Tacky Glue to the forming tool and apply it to the cylinder. You’ll notice immediately how effective this layer is in bringing out the crisp detail of the ring structure (see Figure 15). An alternate to Aleene’s Tacky Glue is Acrylic Tub & Tile Caulk (Also known as seam sealer - water cleanup type). Failing this you can use white glue that’s been thickened by allowing it to dry out some. Several coats will be required to build up the fin into a smooth crisp structure. Figure 15 Applying Aleene's Tacky Glue Figure 16 Finish Sanding the Ends of the Cylinder Figure 17 Completed Cylinder with Cooling Fins Base coat: Aluminum Non-Buffing Metalizer (entire cylinder barrel) Fin Paint Only: First Coat - Steel Non-Buffing Metalizer Second Coat – Gunmetal Buffing Metalizer The cooling fins were then buffed (while rotating) to remove the buffing gunmetal layer on the outer edge of the fins to reveal the steel metalizer highlight underneath. Figure 18 shows the completed cylinder. Acrylic paints will work just as well but will require experimentation to a attain the same effect. Figure 18 Completed Cooling Finned Cylinder |
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Gil, the result is stunning, and it has been a privilege to witness the development of the technique. Have you thought about publishing it on some general scale modelers site as well?
It just may be that the technique is somewhat beyond what most papermodelers would find appealing. I know I would have to think twice or more before venturing an attempt. Leif |
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I Guess You are Right of Course...,
Quote:
I'll keep this in mind. I agree that an unused technique is worthless to the average modeler and it appears this falls into that category. I apologize for having attempted it here. +Gil |
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Gil, please remember the part about it having been a privilege to witness this, and I do believe many will remember it, and the many elements of it, for future creative use. I know I will.
Just the process of guessing at what kind of material might be utilized for a completely new purpose, then realizing that a special tool is needed, then figuring out how to make that tool, and then make it work - that's inspirational, as well as challenging. I can only guess at how many failed attempts are marking the laborious road to final success. Then we have your unique ability & knowledge of materials like glue, paste, tapes, and all kinds of stuff. To me that's invaluable, and I can assure you I have learned tons. There is already a little can of white glue & carpenters spackle mixture now incorporated in my row of cans most readily at hand, and the purchased modeling paste is awaiting its turn. Never would have known about these things, were it not for your expertise, and your willingness to share it. A final example, which I think many would gain from, is the very intriguing painting technique at the end. Using one non-buffing paint, and then a buffing paint above it - that's really something to remember. I can only imagine what kind of concentrated effort has gone into this piece, including the care taken about writing it up, and the extremely instructive photography. So, a big fat belated Thank You! - that's what's in place here. Leif Last edited by Leif Ohlsson; 02-11-2009 at 05:18 PM. |
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Gil
I find your experiments at the deep end of the modeling pool fascinating. I hope you keep at it and continue to generously share them with us. Some I use, some not, and some I use parts of but, they are all great. ~ Cheers
__________________
Constructive criticism of my builds is welcome. Unless you are a cat. |
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Your stuff is always on the cutting edge, Gil. Don't know if I'll use every tip, but then again I might... especially with some of my sculpting stuff. The polyethelyne tool is quite impressive and something I've never thought of. I've referred people from other forums to some of your threads here for techniques, can't find this stuff anywhere else.
Keep up the good work!
__________________
Jim |
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