#21
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Here is another pic that I played a bit with in photobucket.Originally in color I wanted to see what it would look like in B&W.
I have used the carpenter's shop as the main source of light and a little overhead light to create shadows on the figures.Depth is achieved by the floorboards with a little added interest created by the light patterns on the floor. The carpenter's shop is a self-contained unit heated in winter with a wood/coal stove.The door at the far end leads to the dispatch/airmail office. This downshot was taken when the roof was removed from the main hangar.A lot of my shots are taken while the diorama is underway as it would be impossible to take them now. The title of this piece is "Keepers of the Flame" 1918-1927" an era when aviation was struggling to survive commercially. It is in honor of the risk takers,entrepreneurs&barnstormers,air show men,airmail providers etc...A period in aviation not well known today to the public. Here the emphasis is on the guy with the tie,a large imposing figure trying to get his point across in a rather intimidating way.He could be the owner,the airport manager or a mobster but he definitely is being listened to.What is he saying? Well that is left up to the viewers imagination. |
#22
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#23
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Here I have mixed a 1/18th scale car with 1/16th figures.I took the pic at a low angle,an upshot, to help conceal the difference.I wanted to see how close I could bring the background figures to the car and still be believable.
The figures are only underpainted and I just let the shadows do the rest.By keeping it slightly out of focus helps a lot too. The car is a diecast and the figures were only slightly modified.It could be nighttime but this garage is very well lit or it could be daytime with the windows facing a dark storage area or in wartime even blacked out. You could build many stories into this scene but here again it is pretty much left to the viewers imagination.The title is really not necessary. The secret here is in the composition and sometimes just a slightly cocked head on one figure gives you the impression that the other figure is saying something interesting. |
#24
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John - Would it be possible for you to take a pic of the staging from a distance and then the actual photo? I think you are doing an excellent job of staging/composing your photos.
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#25
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#26
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Hey that is a great idea ! In future I will try to remember to do this ,
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#27
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Here is a pic that I played with using photobucket.The description of the scene in the pic itself is not really necessary but I thought that I would throw it in.
This is an eye-level 3/4 shot that is probably the easiest to set up.I included a little of the foreground to help add depth to the piece.I wanted the airplane to be the center of attention so I focused on it and left the rest a little blurry.I used overhead artificial mobile lighting in this shot depicting late fall or early winter here in Canada where it can be dark by 4 or 5 in the afternoon. This airplane is a barnstormer and airshow type Jenny Canuck being rebuilt after an accident, that is why I painted one wheel red and the other wheel green. |
#28
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#29
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I have always loved the "Old Barn" look with the light filtering between the boards.Here I have set up a light outside representing the rising sun.The subject matter could be anything from any era.It is the overall look that I am after,a mood,an atmosphere.
The boards are tongue depressors which are quite thin birch wood so I had to paint the opposite side black.The buildings structure is clear pine which I bought at the local wood store and painted using my "Barnwood Technique".The weathering is acrylics and pastels. The story in this piece is from WW1,probably somewhere in France around 1917.It is an American temporary summer type hanger with lots of nice fresh air.The "Hat in the Ring" symbol hung on the wall confirms this to a knowledgeable viewer.The ripped out piece of canvas with the bullet holes is an Iron Cross souvenir tacked to the wall.The aircraft is a Nieuport of French manufacture that was supplied to the Americans during the hostilities. Depth has been achieved here by the converging lines on the walls ending in a corner of the barn and the tail of the aircraft also resting in the corner.The aircraft wing set up at an angle also helps with this illusion.The light on the wing would indicate where the barn doors are located or they could be non existent with just a canvas opening used for protection. |
#30
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John,
Could you add the picture to the text describing the picture, I have at times difficulty trying to imagine what you are describing in your text? Your text usually appears before the picture, so I get a bit confused. Rick
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"Rock is Dead, Long Live Paper and Scissors" International Paper Model Convention Blog http://paperdakar.blogspot.com/ "The weak point of the modern car is the squidgy organic bit behind the wheel." Jeremy Clarkson, Top Gear's Race to Oslo |
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