#11
|
|||
|
|||
I tend to agree with Leif - if you can't match, use darker for dark and lighter for light colors. I have a 72 color watercolor pencil set which makes it much easier to get a close match. You can also use a wet brush and take the color off the pencil tip for spots where the pencil tip won't reach.
regards
__________________
Fred Bultman |
#12
|
||||
|
||||
Yep, I tend to use dark edging for dark colors and light edging for light colors. The pencils I use for edging can be blended a bit to get a real close match to the part. A very quick dip in some water and the pencils act a bit like water color pencils.
I also always do the edging right after the part is cut from the sheet. It seems to help a lot. Sometimes some of the white still shows, that is where the water color type properties of the pencils I use come in handy. The pigment seems to flow better, even when some dried glue is present where the color needs to go.
__________________
~Doug~ AC010505 EAMUS CATULI! Audere est Facere THFC 19**-20** R.I.P. it up, Tear it up, Have a Ball Last edited by SCEtoAUX; 12-08-2007 at 02:18 PM. Reason: cain't spell wurth a darn |
#13
|
||||
|
||||
Quote:
Quote:
You have made the most important point about color matching. I tend to go for an exact match or slightly lighter. I use good quality water colors for coloring and when I start a new model I make a color pallet with all of the major colors used in the model. I mix the colors outdoors in sun light to get as exact match as possible. I do use black and white to adjust the colors while I am building the model. My work light on my modeling table has a 65 watt true daylight white compact florescent light that’s equal to about a 200 watt incandescent bulb. If you trim the black cutline off the parts and match the color as close as possible you can make a seam disappear. Jim Nunn
__________________
There is a very fine line between paper modeling and mental illness. |
|
|